In Dreams

‘Lynch also frees the paranoia of noir from the straightjacket of narrative. One of the most unique and fascinating aspects of Lynch’s ’90s noirs is that rather than creating terror as in most horror films as a sort of engine to drive the plot, he drowns the plot in a great tidal wave of emotion, leaving the viewer adrift with only the odd floating fragment of story to cling on to.’

— Maximilian Le Cain, ‘In Dreams: A Review of Mulholland Drive’